Prints and Printmaking: An Introduction to the History and Techniques

If you've just started your love affair with fine prints, you're sure to want a better understanding of just what this thing is and how its unique character came about. Griffiths's book would work well as your first guide to the technique and history of printmaking.The tour starts with the major categories of technique (relief, intaglio, litho, and silkscreen), then discusses the extensions needed for printing in multiple colors, followed by a summary of photo processes applicable to each technique. This isn't a how-to for the aspiring printmaker or an academically meticulous history. Instead, it's just enough to let the new printlover know what the words mean and what the differences are, along with a sketch of the major who and when in printmaking innovation. I fault it only for under-representing the incredible art and technique of the Japanese woodcut masters.Illustrations abound, demonstrating nearly every point that Griffiths brings up. The bibliography by itself is worth attention - it not only lists sources of information, it categorizes them by areas of interest and adds other comments about each one. Very few bibliographies in any field offer that kind of help to the reader. And, as the beginner might hope, it ends with a list of common abbreviations and a strong glossary. This book is a great way to introduce new printlovers to the object their of affection.-- wiredweird

Have you ever tried to explain to an art student what is printmaking? Better. Have you ever tried to explain to an art student why it's still important? You can try to do a very long speech about how it was and still is important for artists. You can say that print was for an artist like Rembrant a way of thinking. And you could even explain how the techniques used by the artists were connected with their subjects. But you can't only talk you must show some pictures. That is exactaly what this book does. The autor was very sucesfully in showing us the value of printmaking since the "unknow masters" to our century. He can explain without being boring how etchings were doing and I believe he could do so because the pictures were sharpily choosen. Without doubt no art teatcher can miss these piece. And it's essential to any print lover.

As others have said, this book is a reference book. You cannot sit down and read it per say. It has a lot of information but for a novice trying to use it to even identify an engraving it was hard for me using the books, "walk through". Some of the pictures appear to be hand drawn and are very very close to each other so you can't really decided if what you have is A or B.

A good book for my degree course. It was a good price and in good condition. Recommended.

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