---
product_id: 8833449
title: "LIVE IN PARIS MAY 28, 1975"
brand: "fripp and eno"
price: "₪119"
currency: ILS
in_stock: false
reviews_count: 13
url: https://www.desertcart.co.il/products/8833449-live-in-paris-may-28-1975
store_origin: IL
region: Israel
---

# LIVE IN PARIS MAY 28, 1975

**Brand:** fripp and eno
**Price:** ₪119
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** LIVE IN PARIS MAY 28, 1975 by fripp and eno
- **How much does it cost?** ₪119 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.co.il](https://www.desertcart.co.il/products/8833449-live-in-paris-may-28-1975)

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- fripp and eno enthusiasts

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- Trusted fripp and eno brand quality
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## Description

LIVE IN PARIS MAY 28, 1975

## Images

![LIVE IN PARIS MAY 28, 1975 - Image 1](https://m.media-amazon.com/images/I/61yDsSpSkEL.jpg)
![LIVE IN PARIS MAY 28, 1975 - Image 2](https://m.media-amazon.com/images/I/71KyYT6emsL.jpg)

## Customer Reviews

### ⭐⭐⭐ 







  
  
    A welcome release, but ...
  

*by S***S on Reviewed in the United States on November 30, 2014*

As most folks likely to be reading this already know, Brian Eno and Robert Fripp gave a controversial series of performances in the summer of 01975. Both had grown weary of the pressure to be "rock stars" and so delivered partially improvised material of the sort Eno would begin labeling "ambient" just a few years later. Unsuspecting audiences either expanded their brains or sat in confusion; some, I recall reading, actually got up and left. Not helping matters were technical problems that marred several of these shows. The one from 25 May 01975 at the Olympia in Paris, however, came off perfectly!I remember spending a full year tracking down this recording when it was only available as a double-LP bootleg entitled *Air Structures*. That was in 01979, and I found it almost as breathtaking as the original studio versions but obviously incomplete. For one thing, the final side entitled "An Index of Metals" was a single drone quite unlike the studio version on *Evening Star* and clearly continuing past what could be fitted on a vinyl record.A few other bootlegs of material, one of the same show (25 May 01975 at the Olympia in Paris) and one of a subsequent show (8 June 01975 at the Palladium in London), eventually surfaced with other titles, eventually ending up on CD with more complete renditions. Copies still occasionally turn up on eBay.This is the intended definitive "official" release of the 25 May show, improved by the addition of stage tapes recently discovered in Brian Eno's extensive collection of unreleased material. Those fortunate enough to have found *Air Structures* will recall much of this material and appreciate the vastly better production.Unfortunately ... this explains the three stars ... it is still incomplete! "Wind on Wind" (a lengthy rendition of what Eno would release separately as *Discreet Music*) on CD-1 has been inexplicably cut to around five minutes. As a result, the CD now clocks in with just a little over 30 minutes of music on it! There was plenty of room on the CD for the entire piece. As it stands, some of the mood is lost. I found myself longing for my old copy of *Air Structures* (or the bootleg CD entitled *Stars in Paris*) which gave listeners the whole thing.Moreover, the version of "An Index of Metals" on CD-2 ends with such jarring suddenness that on the first listening I wondered if my power had suddenly gone out! This, too, is hard to understand because upon checking, I found that this CD has just over an hour of music on it. It could have held at least ten more minutes, and possibly, with judicious editing of earlier material, the entire recording of what is still easily the best single piece of "dark ambient" ever made!I also found myself preferring the *Air Structures* evocative titles ("Peter's Clock" and "Oaken Gates") to the more whimsical ones here ("A Near Find in Rip Pop," "A Fearful Proper Din," etc.), but that's a lesser complaint than the above. In short, if you're looking for a complete recording of that famous show, this isn't it, and it's disappointing given what this package costs! What's here is worth having if you're a maniac collector who absolutely must have everything Fripp & Eno ever did together, but I'd hesitate to describe this as an absolutely definitive rendition of what was probably the best of those shows.

### ⭐⭐⭐⭐⭐ 







  
  
    Not just an important historical artifact.
  

*by W***I on Reviewed in the United States on March 19, 2015*

I purchased "No Pussyfooting" and "Evening Star" when released in the 1970s, and have remained a fan of this collaboration ever since.  The now antiquated technology (two revox tape machines, set up as they were) produced for my ears a musical experience superior to that subsequently produced via digital means by Professor Fripp.  As Professor Eno had gained a reputation as one who had mastered the studio as a kind of musical instrument, it never occurred to me that any of this music would be done live -- despite Fripp having done exactly that with his "Frippertronics" tour of record shops and coffee houses just a few years later.  I have longed for more Revox Frippertronics for years, the Soundscapes series having done nothing for me.  Here it is.  It crackles with spontaneity and the excitement of two forward thinking musicians who knew they were on to something.  If you are inclined toward Fripp & Eno, and Fripp's later "God Save The Queen," and the magnificent "Let The Power Fall," you must hear this spectacular music.  I can't get past it to listen to crowd reaction, reputed to be staunchly negative.  Surely it was surprising in the ears of the uninitiated.  Great art often requires a period of wrestling.

### ⭐⭐⭐⭐⭐ 







  
  
    Quick delivery for a superb product.
  

*by J***R on Reviewed in the United States on November 1, 2022*

Quick delivery for a superb product.

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*Product available on Desertcart Israel*
*Store origin: IL*
*Last updated: 2026-02-22*