









⚡ Light up your shoots with pro power and speed — never miss the moment!
The Godox AD400Pro is a portable 400Ws outdoor flash strobe featuring ultra-fast 0.01-1s recycle times, TTL auto exposure, and 1/8000s high-speed sync. Compatible with major camera brands and Godox’s 2.4G wireless system, it offers 390 full power flashes per battery charge and supports AC power. Its lightweight, compact design with versatile mounting options makes it ideal for travel, weddings, portraits, and outdoor photography, delivering professional lighting performance wherever you go.

















| ASIN | B07FKFNN4L |
| Batteries | 1 Lithium Polymer batteries required. (included) |
| Best Sellers Rank | #11 in Photographic Lighting Monolights |
| Customer Reviews | 4.3 4.3 out of 5 stars (450) |
| Date First Available | July 12, 2018 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 0.01 ounces |
| Item model number | AD400Pro |
| Manufacturer | Godox |
| Product Dimensions | 5.04 x 4.02 x 8.66 inches |
B**E
The Godox AD600 Pro II: My New Favorite Flash for Big Jobs
After some hesitation, I decided to purchase the Godox AD600 Pro II, and I’m so glad I did. Initially, I was concerned about the battery performance based on some reviews of the Pro I, but I took the leap, and this flash has exceeded my expectations. I already own two AD200 Pro flashes, which are great for portability and versatility. However, I needed something with more power for larger shoots and outdoor sessions where lighting conditions can be challenging. When I found this model on a good deal on Amazon, I couldn’t pass it up. The output of the AD600 Pro II is impressive. The consistent and reliable performance has been a game-changer for my workflow. It handles large modifiers with ease, and if you pair it with a 36-inch or larger softbox, the light it produces is simply stunning. The soft, even, and flattering illumination on the subject makes it perfect for portrait work, weddings, and editorial shoots. It’s also powerful enough to compete with natural light outdoors, which is a huge plus for location photography. One feature I’ve come to appreciate is its fast recycling time. It keeps up with high-paced shoots without missing a beat, which is critical when you need to capture those perfect moments. The TTL and HSS functionalities work flawlessly, adding to the overall convenience and versatility of this flash. It integrates seamlessly with my existing gear, and the build quality feels robust, giving me confidence in its durability for long-term use. That said, there’s one area where I feel it could improve—the lack of a case or bag included in the box. For the price point, it would have been a thoughtful addition. Carrying such an investment without proper protection isn’t ideal, and while I’ve managed to find a solution, it’s something to keep in mind if you’re considering this purchase. Despite this minor gripe, I have no regrets about buying the AD600 Pro II. It delivers professional-level results and is a solid upgrade for anyone looking to take their lighting setup to the next level. If you’re debating whether to add it to your kit, I’d say go for it—it’s worth every penny and has quickly become an essential part of my photography arsenal.
T**D
Pretty powerful
This flash is soooooo good… it has been doing all that I need it to do! . The control panel is easy to use for me the one touch sync was pretty fast and it’s quite powerful.
M**I
My New Favorite Strobe
I was really excited to get the AD400 Pro because I had loved using the original AD600BM and the Pro seemed like a very nice upgrade. I didn’t really need the full power of the 600 and I heard the 400 was almost as bright as the original AD600, so I decided to get this one and take advantage of the smaller size, included carrying case and exchangeable mount. Right out of the box I’m really glad to have the carrying case, it just makes bringing it on location so much easier. I’m also glad that everything fits back in the case after switching to the Bowens mount, even with the bulb, reflector and cap attached. Compared to the AD600, the light itself is around the same weight but I can easily grab it in one hand which I couldn’t do with the 600. That makes it much easier to carry around on set. The AD200 is also very portable of course, but the case doesn’t really fit the parts as nicely as this does, especially the flash tube, which needs to be taken out. The charger can’t fit either and I always thought that case was kind of useless- but not with the AD400 Pro. (As a side note using the AD400 with Bowens mount accessories is also much easier than with the AD200, and the color consistency is improved too.) The AD400 Pro was about 2/3 stop less powerful than my original AD600 when I tested them, but the modeling light is far brighter which is much more important for me personally. Having that modeling light is really helpful for focusing in darker scenes and I love having both full percentage control of the power as well as a proportional setting- especially useful for visualizing multiple light setups. While the original AD600 did have a TTL version, I didn’t have it. I am really glad to have that as a standard feature on the Pro model now, it’s really convenient in quick shoots or changing environments, plus the TCM function with the Xpro trigger makes setup extremely quick even without a light meter. There are tons of other small touches with a significant impact that make it a worthy upgrade as well. There’s the color-accurate mode, more accurate 1/10 power adjustments, slightly faster recycle times, a slightly shorter flash duration and a nice handle to help adjust the angle (this comes in extra handy since the angle adjustment is no longer clicked like the original AD600). Everything else I loved about the AD600/AD200 such as high speed sync and fairly impressive recycle times has been carried over into this, and all in all I think this is pretty much the perfect strobe and the perfect upgrade for the AD600. The AD600 Pro would only really be necessary if you find yourself always pushing the limits of the original AD600’s output or battery life, and I’d only go down to the AD200 if you want to work more with speedlight or AD200 specific modifiers. The actual size of the AD200 could be a benefit of course but in a lot of cases it might be more trouble than it’s worth compared to the simple and robust AD400 Pro. Don’t mind the faces in the sample pictures; most of my clients don’t want their photos used for public posts, so my kids “helped” me take some samples for this.
T**O
Battery is crap.
Battery didn’t even last 14 months. Used it maybe 3 times. Now battery won’t charge at all. Battery replacement is over $180…
M**D
I bought two of those 1700 dollars and Godox doesn’t have a case that comes with them
Yo spend 800 dollars for a light would expect a case to come with it to protect them every other light you buy has one come on guys but the ad600 pro by far best strobe I’ve owned in this price range if you want to cut through sunlight this strobe will turn sky black awesome in every way but casing could be beefed up in case of a light stand or wind dropping your lights other than that the replacement bulbs are really expensive those could be cheaper but cuddos Godox with this and ad1200 there’s nothing you can’t do except get it wet I would like to see a cool light with water proof casing but definitely worth the buy but this is more than enough for a tough midday session 1/8000th of a sec with high speed sync easily navigate menue easy group identification this is a kelvin light not bicolor very awesome flash
J**Z
Powerful, Reliable, and Professional‑Level Flash — With Some Battery Limits
The battery works well but doesn’t last as long as I’d hoped at full power — if you’re doing long sessions or back-to-back shoots, you might need a spare or frequent recharges. Recycling is quick, though, which helps a bit. Overall, the AD600 Pro II is a workhorse flash that delivers pro-level power, flexibility, and consistency. Just keep in mind the battery life limitation if you plan long outdoor shoots — still a solid choice for both hobbyists and professionals.
I**X
En perfecto estado
Super Bueno
B**N
Bright and portable!
I love this light! 400w is more than enough for most people! fast reset, ttl, and super easy to use! 10/10
P**I
La solution pour la photo avec un flash d'une bonne puissance ! sur batterie ...
M**P
Amazing strobe. So much power and battery lasts a long time. Godox is my go to company for quality lighting gear and modifiers.
S**T
I’m very much a beginner user of this and all I can say is that this light is amazing and I’m learning to use it like a pro. It connects fast to my XT PRO and LUMIX s1 and is excellent for outdoor and indoor images.
H**O
He adquirido dos de estas unidades para probarlos y la verdad, han superado a los B1x, en estabilidad de color, tiempo de reciclaje. duración de bateria, si a eso le sumamos que cuestan menos de la mitad de un b1x de 500w, pues que mejor. Dos cosas a destacar: Una es la calidad de materiales-se nota a leguas Profoto es más robusto, aunque siento que pesan lo mismo- y que la luz que entregan es un poco más cálida que la de Profoto Cito a Profoto, porque tengo esa marca también, desconozco vs otras marcas
A**2
C’est mon deuxième Flash AD600pro II et c’est le modèle dont je me sers le plus . Très polyvalent , puissant, ses 600 watts permettent une utilisation en extérieur même en plein soleil surtout avec la batterie puissante. L’autre intérêt, c’est la finesse des réglages incrémenté jusqu’à 1/512 . La synchronisation avec le déclencheur X3 de Godox est immédiat . Je ne saurais plus m’en passer
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