---
product_id: 48001521
title: "UMC22 Audiophile 2x2, 48 kHz USB Audio Interface with Midas Mic Preamplifier for Recording Microphones and Instruments"
brand: "behringer"
price: "₪311"
currency: ILS
in_stock: true
reviews_count: 8
category: "Behringer"
url: https://www.desertcart.co.il/products/48001521-umc22-audiophile-2x2-48-khz-usb-audio-interface-with-midas
store_origin: IL
region: Israel
---

# Midas mic preamp clarity USB plug & play power 48 kHz pro-grade sampling UMC22 Audiophile 2x2, 48 kHz USB Audio Interface with Midas Mic Preamplifier for Recording Microphones and Instruments

**Brand:** behringer
**Price:** ₪311
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your sound game with pro-grade clarity and effortless workflow!

## Quick Answers

- **What is this?** UMC22 Audiophile 2x2, 48 kHz USB Audio Interface with Midas Mic Preamplifier for Recording Microphones and Instruments by behringer
- **How much does it cost?** ₪311 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.co.il](https://www.desertcart.co.il/products/48001521-umc22-audiophile-2x2-48-khz-usb-audio-interface-with-midas)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Plug & Play Simplicity:** USB-powered with easy setup—just connect and start recording immediately, no drivers needed.
- • **Compact & Portable Powerhouse:** Ultra-compact design fits any workspace, perfect for on-the-go recording without compromise.
- • **Studio-Quality Sound, Anywhere:** Midas-designed mic preamps deliver award-winning clarity for vocals and instruments.
- • **Direct Monitoring, Zero Latency:** Monitor your input signal in real-time with no delay, ensuring perfect takes every time.
- • **Seamless Software Compatibility:** Works flawlessly with top DAWs like Pro Tools, Ableton Live, and Cubase for a smooth creative flow.

## Overview

The Behringer UMC22 is a compact 2-in/2-out USB audio interface featuring Midas-designed mic preamps and 48 kHz resolution, compatible with major recording software. It offers versatile inputs including XLR and 1/4" instrument, direct zero-latency monitoring, and simple USB plug-and-play connectivity, making it an ideal choice for millennial professionals seeking high-quality, portable recording solutions.

## Description

Free delivery and returns on eligible orders of £20 or more. Buy Behringer UMC22 Audiophile 2x2, 48 kHz USB Audio Interface with Midas Mic Preamplifier for Recording Microphones and Instruments at desertcart UK.

Review: Plug in & go - Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.
Review: The Behringer UCA202 U Control simply gives great performance for the money - PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

## Features

- The UMC22 offers an ultra-compact design with professional-grade audio quality, featuring Midas-designed mic preamps and 48 kHz resolution
- Totally compatible with popular recording software like Avid Pro Tools, Ableton Live, and Steinberg Cubase, enabling seamless workflow
- Provides direct monitoring, XLR/TRS inputs, and an additional ¼" instrument input for versatile studio setup options
- Equipped with Midas-designed mic preamps, known for their award-winning sound quality in live and studio environments
- Simple plug-and-play functionality with USB power and multiple output options for easy connection to studio monitors

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00FFIGZF6 |
| Audio Input | XLR mic input 1/4" instrument input |
| Best Sellers Rank | 53 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 3 in Computer Audio Interfaces |
| Brand | Behringer |
| Brand Name | Behringer |
| Compatible Devices | Personal Computer |
| Compatible devices | Personal Computer |
| Connectivity Technology | USB |
| Connectivity technology | USB |
| Country of Origin | China |
| Customer Reviews | 4.4 out of 5 stars 43,911 Reviews |
| Frequency Response | 48000 KHz |
| Frequency response | 48000 KHz |
| Item Dimensions D x W x H | 15.6D x 24.4W x 8.8H centimetres |
| Item Weight | 1 Pounds |
| Manufacturer | Behringer |
| Manufacturer Contact Information | Music group commercial BM LTD 17A Brunswick Street, Hamilton HM 10,Bermuda |
| Maximum Sample Rate | 96 KHz |
| Number of Channels | 2 |
| Number of channels | 2 |
| Operating System | Linux, Windows, macOS |
| Product Warranty | Company warrants to the customer that the product will be free from defects in materials and workmanship under normal use for a period of one (1) year from the date of purchase of the product by the customer. |
| Supported Software | Tracktion, VST Plug-ins, AU Plug-ins |
| Supported software | Tracktion, VST Plug-ins, AU Plug-ins |
| UPC | 696859053863 |
| Unit Count | 1.0 Count |

## Product Details

- **Brand:** Behringer
- **Compatible devices:** Personal Computer
- **Connectivity technology:** USB
- **Number of channels:** 2
- **Supported software:** Tracktion, VST Plug-ins, AU Plug-ins

## Images

![UMC22 Audiophile 2x2, 48 kHz USB Audio Interface with Midas Mic Preamplifier for Recording Microphones and Instruments - Image 1](https://m.media-amazon.com/images/I/513a-ChwMML.jpg)

## Available Options

This product comes in different **Configuration, Pattern, Style** options.

## Questions & Answers

**Q: Is it possible to use the device for simple audio playback, from Spotify for example?**
A: Yes it will

**Q: I purchased this plus mic,shield& xlr cable as i want more professional recordings than phone offers. have no clue where to begin, what software etc?**
A: You can choose whichever you like. If you've registered your audio interface after purchase you get Tracktion Waveform 8 included. Also there are many free and paid D.A.W Software. If you want a free one I suggest Cakewalk by Bandlab or Tracktion's totally free T7 D.A.W. For paid one's I never used them but I heard Propellerhead Reason and Cubase are quite good as a friend said reason is the best one.

**Q: what is inst for**
A: That input is for anything that uses a 1/4 inch jack, e.g. guitar ,bass , keyboard.

**Q: What headphones would you recommend? As I use my beats and when plugged in theirs always a kind of beep distortion noise when in use.**
A: For home studio users you cannot go wrong with a pair of Sony MDR 7506/1s.  For less than £100 you get professional quality flat response studio headphone monitors!

## Customer Reviews

### ⭐⭐⭐⭐⭐ Plug in & go
*by S***N on 4 January 2026*

Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.

### ⭐⭐⭐⭐⭐ The Behringer UCA202 U Control simply gives great performance for the money
*by G***S on 8 April 2014*

PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

### ⭐⭐⭐⭐ Good for the money but not quite perfect.
*by M***O on 30 October 2015*

I have come back to PC music production after a while away and realised that Realtek chipsets on most motherboards, although better than they used to be,can't quite cut it, particularly in the latency department. I was loathed to spend £50+ on a proper pro sound card while I was tentatively returning to this hobby so this Behringer UCA202 seemed perfect. It arrived on time and well packed and straight out of the box its smaller than I expected, about the size of a cigarette packet. I plugged mine in a proper USB port (not a hub) and immediately installed and worked (Windows 8.1 and 10), no issues. A little light on the top tells you its on and you get the glow from the optical out too. I fed my 10 channel WharfdalePro mixer into it and connected it to the line in on my Logitech Z speakers. Not exactly a pro setup but entry level music making kit. I tested it with Cakewalk and Ableton and there was a noticeable improvement in latency when feeding stuff in and through the PC i.e. guitar and mic effects etc. Not 0 latency, in fact on my set-up probably still 10-20ms, I used the ASIO4ALL drivers which have mixed success with most people but they reported something like 11ms via Cakewalk. Previously I could achieve similar latency with my Realtek card but it would become unstable and break up and need resetting every 20mins. This didn't happen with the Behringer, it works flawlessly for hours on end and basically it does what I bought it for. Furthermore there's a little switch for monitoring directly so if you just want to echo the in to the out with 0 latency, you can do that but clearly it won't be going though any effects etc on the PC. I also played music from Google Play though the unit and I the is a noticeable improvement in clarity, so much so that I can actually hear stuff in the songs that I hadn't heard before and that is usually the mark of an great audio equipment. I listened through my Logitech speakers and some mid range over ear Sony headphones and in both cases the music was balanced and defined. If you're buying this only for music playback and don't care about music production, as most people will, its worth it for that alone. OK, so why the four stars...Well, I used this on headphones and it was superb, when I connected the line out to the Z speakers there was a noticeable whine, digital interference whine that alters when you move the mouse pointer or change stuff on the screen. That is very far from pro audio or high quality, it doesn't happen on my built in Realtek where I would expect more interference. Now this COULD be the crap cable I used or the positioning, I haven't tested it on ANYTHING else yet. I plan to test it on my proper AV unit in the lounge so I will report back if I notice any difference.

## Frequently Bought Together

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*Product available on Desertcart Israel*
*Store origin: IL*
*Last updated: 2026-02-24*