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Frankenstein (Collins Classics) : Shelley, Mary: desertcart.co.uk: Books Review: A staple - A great classic. The pages are thin and the cover scratches off but great value for money. A must read. Review: Great read but... - This book was an amazing read and I highly recommend. It has a faux leather cover, thick pages, coloured rims and a built in ribbon bookmark. It's a very classic book and looks great on a bookshelf. One flaw that I didn't mind that much but others might, is that the leather on the covers is easily scuffed. My book arrived scuffed from new so was a little disappointed. But it is not that noticeable as you can tell.












| ASIN | 0007350961 |
| Best Sellers Rank | 42,529 in Books ( See Top 100 in Books ) 6 in Classic Horror 19 in Science Fiction History & Criticism 22 in Science Fiction Short Stories |
| Customer reviews | 4.4 4.4 out of 5 stars (27,816) |
| Dimensions | 11.1 x 1.5 x 17.8 cm |
| Edition | 0 |
| ISBN-10 | 9780007350964 |
| ISBN-13 | 978-0007350964 |
| Item weight | 294 g |
| Language | English |
| Print length | 240 pages |
| Publication date | 1 April 2010 |
| Publisher | William Collins |
| Reading age | 16+ years, from customers |
S**Y
A staple
A great classic. The pages are thin and the cover scratches off but great value for money. A must read.
A**A
Great read but...
This book was an amazing read and I highly recommend. It has a faux leather cover, thick pages, coloured rims and a built in ribbon bookmark. It's a very classic book and looks great on a bookshelf. One flaw that I didn't mind that much but others might, is that the leather on the covers is easily scuffed. My book arrived scuffed from new so was a little disappointed. But it is not that noticeable as you can tell.
C**S
So Different From The Frankenstein To Which We Have Become Familiar
Frankenstein, or more correctly, Frankentein's Monster, is something known very well in popular culture. Most, when they hear the word Frankenstein conjure up the image of the moaning giant with bolts in his neck popularised throughout 20th century film and television, so I was surprised to discover just how different the original monster in the book is from the one we have come to know. The story is presented in epistolary form, within the frame of correspondence between Captain Robert Walton and his sister, Margaret. Captain Walton tells the tale of how his crew rescued Victor Frankenstein from what would undoubtedly have been a frozen death during their excursion toward the North Pole. From this chance rescue, Victor recounts to Captain Walton the story of how he ended up so far North, explaining to them precisely what was the creature the crew saw pass them a few hours before they rescued Frankenstein. What follows is, in essence, Victor Frankenstein's life story. Beginning with his childhood we come to discover how Victor became acquainted with outdated ideas on Natural Philosophy and what led him to his fascination with life and how life can be created. He recounts the tale of his work in creating the monster that came to be his torturer and come to know of his revulsion of his creation once life was given to it. It is this revulsion of the creature and its subsequent rejection which sets in motion a chain of horrific events perpetrated by the monster which brings Victor to his current state; being rescued by the captain. I won't go into much detail from what I have already said about the story as it is something that is best discovered yourself while reading the story. Many other reviewers have written about how different the book really is from the image of the Frankenstein's Monster we have come to know in popular culture. Most striking is the monster's acquired education and eloquence through his observance of a family over the course of a number of years. The crimes that are committed at the hands of the monster, through his acquired use of language, allow him to explain his motivations and his internal mental torments which thus make him a sympathetic creature. The crimes he has committed are ones of true abhorrence, so perhaps for some it may be difficult to feel that sympathy, but it is the rejection by his creator and his abject loneliness, brought on from being the first and only of his kind, that compels him to act the way he does. The story is truly compelling and sometimes legitimately scary, yet the tale of Frankenstein's monster is perhaps allegorical of the way in which life, happiness and acceptance are viewed, especially in the classical world. Perhaps the monster is even a metaphor for our own pursuit of love, companionship and the struggle to come to terms with our creator (God). In fact, there is reference made to the Biblical 'Adam' in the story, to whom the monster seems to relate, in that Adam's existence was only really complete and satisfied when he had his 'Eve' and the monster's motivation was simply to gain his own 'Eve'. The edition I bought was of the Clothbound Classics series and it has a look and feel to it that makes it a welcome and proud addition to any book shelf, so I would strongly recommend that you pick this up. It really is something to be enjoyed.
W**I
Enthralling Romantic Gothic Classic that is genre defining
Shelley’s novel is transgressive in its content, and more transgressive in its nature – written by a female (at age 19!) under a pseudonym to penetrate the public approval. This novel explores human emotions, good and bad, in response to the ‘Other’ in true gothic fashion. The grunting, green-faced, bolt-bearing monster depicted by film and media is a pale imitation of Shelley’s masterpiece – but the original is a 'blue-print' for all monster creations. Despite being a cautionary tale on how nature, which is essentially good, can be corrupted by ill treatment – contemporary depictions have departed from the original characterization of an extremely well-spoken monster with immense speed and grace. PLOT (4.5/5) An intelligent and ambitious young student indulges a moment of thoughtless scientific passion and creates life. Horrified at his creation, Victor Frankenstein shuns the creature and attempts to discard it from his life and thoughts. The creature, however, is lost in an unkind world and seeks affection, and upon rejection then seeks revenge. STUDENT NOTES (5/5) + Although many reviewers note The York Notes version usefulness at GCSE, I found in instrumental at helping me receive an A* at A-Level as well: a) The (character, theme and quotation) analysis is brilliant, clear and precise. b) The exam questions, key quotations and chapter summaries were invaluable c) The responses to the text, both modern and those from Shelley's contemporaries are invaluable (especially the feminist and psychoanalytical essays). CHARACTERS (5/5) + Both main characters are easy to empathise with despite being completely at heads – both Victor (the ambitious scientist who realises his overreach and attempts to redeem himself) and the monster (whose fragile psyche is birthed from rejection) STYLE (4/5) + The original, but nevertheless still one of the most remarkable science fiction stories ever written, its relevance persists today as scientific discovery journeys further than before into ethical ambiguity (GM food, AI, cloning) and discrimination still exists in all its forms. + Typically Romantic and beautifully descriptive prose, particularly regarding the natural world. - The book begins very slowly with excessive detail, and the epistolary form makes it hard to convey any sense of suspense. But if you persist despite this you will be drawn in to Shelley's world.
J**C
It’s a classic story about misery, badness, love, grief. If you are looking for learn about human feeling, this is a great reading.
J**Z
Buena calidad, pero el tiempo de entrega fue largo.
G**Y
pen stain on the front cover it felt like a used book very flimsy and creases on the front and spine of the book
N**A
“Frankenstein has done more than any other story to define the anxieties of modern life. But it’s what it tells us about compassion that we need now more than ever.”, by Rebecca Lawrence (BBC Culture - June 13, 2018) If you think that because you have watched the movie adaptations you can skip this book, then you don’t know what you are missing. The movie obscured Shelley’s intentions. This is not a horror book. It’s a drama at its finest. The writing is fascinating! And if you add the audiobook narrated by Dan Stevens you will be transported to the era and be totally involved in the emotional rollercoaster. The writing is complex and vivid and expresses the anguish of both monster and creator. I thought the story was exceptionally well told and the writing definitely brought it to life. What I enjoyed the most is that we have the monster’s perspective. What an incredible imagination! The author was 18 years old and this book was written in 1818, so take that into consideration. What a great read!
A**ー
Recommend it rather than mid-movies
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