In this follow up to "Stephen King on the Big Screen" (2009) Mark Browning turns his critical eye upon the much-neglected subject of the best-selling author's work in television, examining what it is about King's fiction that makes it particularly suitable for the small screen. The book is the first written by a film specialist to consider King's television work in its own right, and rejects previous attempts to make the films and books fit rigid thematic categories. Browning examines what makes a written or visual text successful at evoking fear on a case-by-case basis, in a highly readable and engaging way.
ترست بايلوت
منذ شهرين
منذ أسبوعين
