The Master (Blu-ray)
R**H
A mesmerizing film, excellent video & audio
"The Master" was my favorite film of 2012, but it's likely not to everyone's taste. The acting is amazing. Philip Seymour Hoffman and Joaquin Phoenix both deliver Oscar worthy performances. Stylistically, the movie is similar to Paul Thomas Anderson's previous film, 2007's "There Will Be Blood" but is perhaps less accessible. The movie's often mesmerizing and delivers quite an emotional wallop. But it lacks a strong narrative. It feels more episodic and leaves it to the viewer to make up his or her own mind as to what its message is and what its characters are about. Phoenix completely transforms himself into Freddie Quell while Hoffman impresses with his charismatic and well rounded portrayal of the Master himself, Lancaster Dodd. Amy Adams is also very good as Dodd's wife. Watching the Blu-ray, I found the movie just as hypnotic as it was in theaters. There are several sequences in the movie which are just thrilling to watch. The combination of superb acting, writing, editing, music, and Anderson's precise direction prove endlessly fascinating. Each viewing provides a new perspective on the film's characters and meanings.The Blu-ray features a stunning transfer. The movie was largely shot in 65mm and the Blu-ray presents a film-like image with minimal grain but staggering detail, sharpness, and depth. The audio is immersive as well, presenting Jonny Greenwood's propulsive rhythmic score, the dialogue, and classic songs with great clarity.I appreciate Paul Thomas Anderson's control over his films' home video releases from the cover art & packaging down to the very simple menus. There's none of the typical promotional ads and mumbo jumbo found on this disc. The Blu-ray features a 20-minute montage of deleted scenes set to Greenwood's score, trailers and promos, behind the scenes footage, and John Huston's documentary "Let There Be Light" which inspired the movie. The disc lacks a commentary or relevant interviews with the cast & crew. I respect Anderson's decision to let the film speak for itself, but I would have welcomed a good discussion of the film. For example, there are a couple great Q&As with the director and cast up on YouTube.
J**G
A Misunderstood Masterpiece
The Master is a purposefully non-traditional film that most people won't like. I happened to be one of those who loved it. If you go to this film expecting a traditional, three-act narrative structure, with likeable characters and/or characters who will eventually be redeemed, then you have come to the wrong movie. This is not a Hollywood, feel-good movie about the triumph of the human spirit. Instead, The Master is a groundbreaking film that you have to watch with an open mind. Ultimately, The Master is an incisive exploration of the eternal struggle between the spirit and the flesh. As the cult leader, Phillip Seymour Hoffman represents the realm of logic and the mind, of science and rationality. He approaches life analytically and always needs to be in control of his surroundings, and the people in his life. Jouquin Phoenix, on the other hand, represents the unchecked flow of primal, animal nature. This the the central conflict in The Master...between someone who constantly needs to be in control of his life, and someone else who resists all methods of control and repression. The reason why this film alienates so many people is because of its disquieting portrayal of human nature--in the world presented in The Master, no matter where we run to, we're always presented with the startling realization that in this life, there is no escape or redemption, there is only the constant struggle for power and domination. The only thing that separates us from the animals, Paul Thomas Anderson seems to be saying, is an ultimately futile desire to find a higher force to comfort us, but what if that higher force is using us for its own purposes? I believe this question is what The Master is ultimately exploring.
S**K
masterpiece
to me this is PTA's masterpiece. Performances by Phoenix and Seymour Hoffman are incredible. great movie, great story telling. product arrived in good condition and shipped on time.
A**W
PTA Does It Again
The Blu-ray of “The Master” only lifts its greatness with 1080p picture quality. The film itself is incredible and even ten years later, it holds up today. This Blu-ray is a must have for any fan of Paul Thomas Anderson and his work.
I**Y
I fall on the side of masterful when it comes to this polarizing film
Couldn't be happier to experience this film again at home. I can understand the reviews declaring it polarizing, but I stand firmly on one end of that polarization. Paul Thomas Anderson delievers another masterpiece showing that his visual storytelling has never faultered and his direction of some of the most powerful and compelling actors of our time is both overbearing and seemingly invisible, and the two couldn't be mixed better. You are never aware you are watching a fabrication. Everything in this film comes and alive and feels organic, which just adds to how terrifying the content of the story is and how it will haunt you even after the credits roll. With the late Phillip Seymour Hoffman giving arguably the strongest performance of his life, it will be something he will be remembered for and his friends and family should be ever proud of this legacy and collaboration he left behind.
J**S
P.S. Hoffman Channels L.Ron Hubbard Mastering the Universe
Lost soul Joaquin Phoenix, obviously suffering from PTSD from his WWII experience, gravitates into Philip Seymour Hoffman's orbit along with other seekers of the mystery of the universe in this moody, complex story centered around an early-1950's charismatic cult leader who is plainly modeled after Scientology's L. Ron Hubbard. Both men are drawn to each other. JP is the earthy element, PSH is more ethereal. Both actors repeatedly square off against each other like two exhausted, drunken fighters. The scene early on in which PSH 'audits' JP is perfectly choreographed. Indeed, the acting by all the players is superb. Then what lesson, if any, is Paul Thomas Anderson drawing from the rise and fall of our Hollywood cult of Scientology?
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