Johanna

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From Publishers Weekly Dedicated to "all the women whose accomplishments have been forgotten," this assemblage of letters and journal excerpts, nearly all of them fictional, tells the story of Johanna Bonger-van Gogh, the young widow who preserved and promoted the legacy left by her brother-in-law, Vincent van Gogh. Anticipating a Christmas season filled with the gala celebration of her betrothal to Theo van Gogh, Johanna is dismayed when her fiance rushes to Arles to be with his brother, who has just cut off his ear. Though Johanna doesn't yet realize it, a sinister pattern has been established in which every important event in her marriage (from engagement through childbirth) will be mirrored by a desperate, anguished action on Vincent's part. Six months after the painter's suicide, Theo, in the final stages of syphilis, dies in an insane asylum, leaving Johanna with only limited resources (besides an attic full of van Goghs classified by others as "minor household decorations") with which to support their children. Refusing to return to her parents' home, the staunchly independent Johanna runs a boarding house, gets involved with Holland's nascent feminist movement, remarries and nearly single-handedly brings Vincent's artwork the recognition it deserves. As well as fleshing out the life of a hitherto obscure woman, Cooperstein does a fine job of conveying the giddy thrill of a world on the brink of modernism. At times, her apparent desire to educate interrupts narrative flow, as when Johanna declares in her journal, "Naturally, I can't discuss brothels with Father, even though Holland's have been government-regulated for years." But these glitches detract little from this inspiring, often exhilarating account of a woman coping with adversity and going on to create a rich and satisfying life for herself. Copyright 1995 Reed Business Information, Inc. Read more From School Library Journal YA?Johanna Bonger van Gogh was the sister-in-law of Vincent and wife of Theo. She dearly loved her husband and so accepted the strange and often violent behavior of his brother. Vincent continually upset their lives with his demands upon Theo, who was his gallery manager as well as his most vigorous advocate. When Vincent died, Theo suffered a mental collapse from which he never recovered. Johanna was left as a young widow with a young son, little money, and a collection of her brother-in-law's paintings that her father suggested she sell for firewood. She devoted her life to gaining recognition for Vincent's genius and the Impressionist movement. According to the author, Vincent van Gogh would have remained an obscure, unknown artist if not for his sister-in-law. She also became an activist for Holland's feminists. Written in the form of diary entries and letters, Johanna is a fast-paced, informative, and riveting fictionalized account of the thriving Paris art scene and the personalities who inhabited it. Reading it is guaranteed to send YA readers off to find more information on the van Gogh family.?Katherine Fitch, Lake Braddock Middle School, Burke, VACopyright 1996 Reed Business Information, Inc. Read more See all Editorial Reviews