

🔊 Lock in flawless sound, lock out the noise!
The Shure A2WS Locking Microphone Windscreen is a precision-engineered accessory designed to reduce breath and wind noise for Shure SM57 and 545 Series microphones. Featuring a secure locking mechanism, lightweight durable construction, and backed by a 2-year warranty, it’s the essential upgrade for professionals demanding crystal-clear audio in any environment.

| ASIN | B0002NIP98 |
| Antenna Location | Studio Recordings, Live Performances |
| Audible Noise | 20 Decibels |
| Best Sellers Rank | #1,392 in Musical Instruments ( See Top 100 in Musical Instruments ) #13 in Microphone Windscreens |
| Brand | Shure |
| Built-In Media | Locking Microphone Windscreen, Microphone Mount |
| Color | Black |
| Compatible Devices | Amplifier, Audio Mixer |
| Connector Type | XLR |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,532) |
| Enclosure Material | Aluminum |
| Global Trade Identification Number | 00042406112420 |
| Item Dimensions | 7.3 x 5.2 x 2.2 inches |
| Item Type Name | Microphone Mount |
| Item Weight | 0.07 Pounds |
| Manufacturer | Shure |
| Mfr Part Number | A2WS-BLK |
| Microphone Form Factor | Handheld |
| Model Name | A2WS |
| Model Number | A2WS-BLK |
| Number of Channels | 1 |
| Signal-to-Noise Ratio | 20 dB |
| UPC | 042406112420 |
| Unit Count | 1.0 Count |
| Warranty Description | 2-year limited warranty. |
C**E
It’s a permanent fixture on my 57
I bought this for an outdoor gig but it works so well with plosive reduction I keep it on all the time.
E**.
Classic Microphone Cover
Remember to take along your small screwdriver to lock in place and remove when ready. This is a high quality cover that works well with the high quality SM57 microphone, care it guys it great, good value for cost, high sound quality, locking screw means it wont get loose on the job, great a must for serious users.
G**E
Fits perfectly on SM57
Fits perfectly on SM57
S**T
Makes the world's most popular and versatile studio mic into a nice individual live vocal mic
Not much to say about these Shure windscreens that have been on the market in pretty much unaltered form for at least 40 years (I can remember, clearly, my first time on stage - 2 years old - singing with my dad's group "Sweet Home Alabama" at Randy's California Inn in Laurel (sort of) MD singing into a SM57 with the A2WS back windscreen on a long gooseneck bent down so the mic would reach me... a VERY odd early memory - but I have the pics to prove it, somewhere. In any case, 40 year later, I still prefer a SM57 with a windscreen to the SM58. The slightly closer distance to the element allows for a bit more proximity effect to beefed up the low end of my somewhat thin to begin with voice. I know there are plenty of other mics that do this job and have a sweeter overall sound, but this is a mic I am used to , comfortable with mixing, and never fail to get the sound I want out of using equipment with which I am even just marginally familiar. The fact this is a screw-on/locking windscreen drastically beats the slip-over covers , like most windscreens. Worth the bit of extra money to be sure the windscreen stays where it should. If you've got some good condition 57's lying around, and need some live vocal mics and are light on 58s (or other trusted mics) - try picking up a windscreen or two for your 57's and see how you like it. I never looked back. (and that's from someone who has a mic closet with 100s of options.... this isn't my studio/recording favorite, but, while I've tried and liked many newer mics for live, I always come back to this because I fully understand its characteristics and always get what I need.)
D**D
Does not cut down on plosives like the screens for the SM58 or SM7B
Good quality windscreen for the SM57, but I had to dock a star because it only helps a little with plosives. I use my SM57 for recording audiobooks with a preamp, and with that preamp the microphone is a plosive magnet. I was already using a pop filter in front of the microphone and was still having problems. I figured adding this would help. Which it did, but not a ton. The foam is just not thick enough to slow down the air from plosives that cause mic clipping. I was hoping for something thicker and closer to the density of the windscreen that comes with the SM7B, or even the ones that go on an SM58 that work very well in a live setting. Maybe I just need a better pop filter, but up until using this microphone for this work I didn't have any issues with plosives with this pop filter. Overall, it is a good, well made product, was easy to install, and does cut down on moving air noises, but not a ton.
K**A
Serves its purpose
It blocks the wind and saliva that results when i scream wildly into my mic shure sm57. Chalk it up to anoth Shure W
J**L
Cool cover
Mini SM7B dupe! Does great for vocal taming and looks cool!
G**Z
Good
Good
C**N
…funziona bene e si monta in un minuto!!
B**T
it's perfect for the shore sm57
I**T
It's secure and neat and it works fine. You can EQ it to a 58 or stick it in front of your twin reverb turned up to 11 and it handles it just fine. Every musician/sound engineerr should have at least one.
S**N
Seems to be a genuine SHURE product which works very well. Rejects plosives when attached to a SM57 or similar making it a very versatile item.
に**り
発送が早くて、商品も実用的で、とても良かったです。‹‹\( 'ω')/››
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